► Questioner: “How can we overcome duality? It seems it’s getting worse?”
► Channelled by Dave Akira
► Message Received Date: June 17th
► Video Link: https://www.patreon.com/GFLStation/posts/resist-not-evil-161775441
I am Valir, of the Pleiadian Emissaries, and I am glad to sit with you again, ancient family. We have said to you for a while now that you are the leaders of the new Earth, and many of you are starting to understand what this means. The current chapter of your reality is not the ending of a cycle, it is not the beginning of a new one, it is simply a transition phase. One of the main components of that transition phase is that you, the Starseeds and Lightworkers, the ones who are actually doing the work, physically, practically, to step into their sovereignty, will become leaders of the new Earth. This is not to say you will preside over all. You will join small councils of leadership in the new Earth after the main event happens, and the governments as you know it today will simply cease to exist. The vast majority, if not ALL the governments and people in your governments today, will not be in a governing position, simply because they have not yet grasped the concept that we mention today, which is the good versus evil concept. Duality. A mind in one who is steeped in the belief in good versus evil will always be an ego mind and cannot yet step into sovereignty. At some point, they will always be manipulated to combat evil in some way – to pick up weapons and FIGHT! When you rise into higher densities, there isn’t the battle of good versus evil like you experience now in the third density. Although there is the negative polarity, it is transcended very quickly. And the beautiful thing about your particular human genome is, that it is one of the most powerful original form templates that has ever been devised giving you not only the ability to rise above the pairs of opposites in duality yourself, but your strength of vibration and frequency will allow the dissolution of the negative polarity at a whole new level. This is because across the quantum web, the love that you carry, the Creator’s connection, starts to permeate into all things. All corners of darkness will be shed light into. Imagine the strength of one of your flashlights. It reaches further the brighter and stronger the bulbs are. This is what happens when you rise into the next dimension, and it is why we believe humanity is so, so important, even though the majority are going to repeat this density in some capacity. It is also why the negative polarity, the cabal, the non-human element at least, have expended SO MUCH effort trying to keep you suppressed and very nearly succeeded. But now, you, the ground crew, will rise like the phoenix and we in the Pleiaidian emissaries ALWAYS saw this coming, even when some Federation factions did not.
We want to pick up exactly where we set things down with you last. Not long ago we showed you how to look at what seemed like an attack and stop receiving it as something aimed at you, how to take the apparent sender and let the personal charge fall out of it. And before that we gave you a law that runs underneath everything in your world, the simple and difficult truth that whatever you fight with real feeling, you feed. You give it your force. You make it more solid by the very act of standing against it. Both of those were true, and both were yours to keep. Today we walk you past them, into the ground they were always standing on. We bring this to you now because of where you are, and we can feel it from here. You have done the earlier work, and it shows. Your boundaries hold in a way they did not hold a year ago. You can say the true thing now without your voice going thin. You have learned to gather your energy back when you have scattered it across a day, and you do not hand yourself away as quickly as you once did. This is real, and we see it. And still there is a wall here, right where your feet are, and most who reach it stop. They build clean boundaries and speak straight and run their own lives well, and then they go no further, sometimes for years, sometimes for a whole life, held exactly in place by one belief they never thought to turn around and look at. We have come to turn it around for you, so that you can see it, because once it is seen it begins to lose its hold. Here is the belief. You carry, as nearly everyone on your world carries, the conviction that there are two powers at work in your life. There is a good, which you are for, and there is an evil, which you are against. It feels so obvious that calling it a belief sounds almost strange to you. Of course there is good and evil, you think. Look at the world. And we say to you, with the steadiness of those who have watched this from outside the dream, look more closely, because the whole structure of your captivity is built on this one assumption, and it has never once been true.
Hear us carefully, because this is easy to mistake. What we are pointing you toward is stranger and far more freeing than passivity in front of harm. What is real has no opposite. There is one current running through all that actually exists, one living medium, and it has nothing set against it. The thing you have been calling the second power, the darkness, the evil, the force you must oppose, is an overlay, a kind of painting laid over the real, and it has no engine of its own. A painting cannot fight you. It can only seem. This is where the two things we gave you before were leading. When we taught you that fighting a thing feeds it, we still left a thing there to be fought, and we asked you simply to stop pushing on it. When we taught you to take an apparent attack less personally, we still left an attack there, with weight and a sender. Both were true steps, and you needed them. Now we remove the floor underneath them. There was never a thing to push on. There was never an attack with substance. There is the one current, and over it, a seeming, and the seeming has exactly as much power as you agree to lend it and not one drop more. We will say the hardest part plainly, because you will not find your freedom in the soft version. It is easy to hear that the evil of your world is overlay. The part that catches in the throat is this: the good of your world is overlay too. The villains and the heroes, the losses that crushed you and the strokes of fortune that saved you, the people you fear and the people you admire, all of it belongs to the same painting. They are two ends of one dream. And this matters enormously for your practice, because if you withdraw your belief from the dark pole while still clutching the bright one, you are still inside the contest. You are still playing the game of two powers, only now you are rooting for your favorite. To come all the way out, you let go of both hands at once. You stop defending the good and opposing the evil, and you rest back into the single current that was holding both appearances up.
Feel what this does to the war you have been quietly fighting your whole life. Every one of you carries an inner soldier, a part of you forever braced against something, scanning the horizon, ready. That bracing has felt like virtue. It has felt like being a good person who cares. And we tell you that the bracing is the leash. The same architecture that turns chaos and fear into a meal, the food-source we have named for you before, runs entirely on that bracing. It needs only one thing from you, and that thing is the fight itself, not your defeat. The one who battles the darkness every day is feeding the very table they are trying to overturn. When we guarded you against an apparent attack, we kept your plate from being taken. Now we show you there was never a second diner in the room. The table was set for one, and the one is you, and the meal was your own opposition. And so we want you to understand why this finishes a piece of work you have been doing for a long time. Self-governance, the living of your own life from your own center, cannot fully seat while a part of you is still enlisted. While you still believe in two powers, you are conscripted. You may not feel like a soldier, but you have signed papers you did not read, and they call you up every time the news frightens you, every time you brace against a person, every time you take a side in the long war of light against dark. The freedom we are pointing at is the discharge from that army. There is one power, and you are made of it. Now we will tell you what the one current actually is, because you cannot rest into something you cannot feel. The single medium that holds all things, the real beneath the painting, is the living atmosphere of the Source-universe. Think of it the way you think of air, though it is finer than air. It is the medium your truest form was built to breathe, and it is around you and through you in this very moment, whether or not you notice it.
There is a form that was made to live in that atmosphere fully, without distortion, and we will speak of it carefully, because your world has wrapped it in old stories that hide what it is. We set the stories aside. There is a template, a design for a being shaped like you, built with a direct and unbroken connection to Source, carrying the current of Prime Creator through itself the way a clear channel carries water. This template is your original pattern. It is the engineering of you, the blueprint drawn before the overlay was ever painted. Your world has remembered it as a single figure who once lived, or as a piece of myth, and underneath those wrappings it is something plainer and larger than either: the design of what you actually are. Here is the property of that template that changes everything for the one who remembers it. In the atmosphere of Source, the template is not held down by the material laws that rule your third density. The heaviness you have lived inside, the slowness, the sense that everything is solid and resistant and hard to move, the long catalogue of limits you have accepted as simply the way things are, none of that belongs to the template. The density thins around it, because that heaviness was only ever a feature of the painting and was never a property of you, and so it has nothing to hold onto when you return to your pattern. When you rest back into your own original design, you step into an atmosphere where the laws you have feared carry far less authority than you were taught. This is your true address, and we want you to hold it that way, as a place you live rather than a place you are trying to reach. You have spent your life believing you were cast out of the real and must somehow climb back in, must earn your way, must become worthy. The truth is gentler and more astonishing than that. You have been here the whole time, breathing this atmosphere, wearing your original pattern under the overlay, simply hypnotized into not noticing. That is a very different condition from exile. A being in exile has a long road home. A being who has only fallen asleep at home has nothing to do but wake, and the room is exactly as it always was.
We give you this before the practice on purpose, because a practice needs a destination. When we ask you, in a moment, to withdraw your belief from an appearance, you would have nowhere to put your attention if we had not first shown you where it rests. You withdraw into the atmosphere, into the template, into the current that was here before the problem and remains under it now. The return has a home, and the home is older than everything that troubles you. Remember, too, that you do not build this atmosphere and you do not generate it by effort, and you certainly do not raise yourself high enough to earn entry. You remember that you have never once stepped out of it. Every practice we will give you is a remembering, a recollection, a turning of the attention back toward what was always so. And we will keep you honest in one direction as we say all this. We are speaking of where your attention rests, the ground your awareness stands on. The form you wear still drinks water and still sleeps and still lives in a world. The template breathes the atmosphere; the vessel lives the day. Both are true, and they do not cancel each other. You will want to know how the painting is held in place, since it feels so completely real, and here we give you the mechanism, because a mechanism you can see is a mechanism that loses its grip on you. Picture a stage. A person sits in a chair under bright lights, and one who knows how to do this has spoken to them quietly for a while, and now they look out and see, standing in the middle of the stage, a pink elephant. They see it completely. The color of it, the slow swing of its trunk, the weight of it on the boards. For the one in the chair, the elephant is simply there, as real as the chair they sit in. And the whole audience watches this, and not one person in the room rises to do battle with the elephant. No one runs for an exit. No one argues about how to remove it. They leave the elephant alone, because they can see there is nothing on the stage to fight. There is a sleeping mind and a vivid seeming, and the only thing anyone would ever want to do is gently wake the one in the chair.
That is the exact shape of what is happening on your world, only the chair is everywhere and almost everyone is sitting in one. There is a deep layer of mind that runs underneath all your individual minds, a common mind, a shared and sleeping intelligence, and it is generating one enormous overlay that everyone then sees together. Because you all see the same painting at once, you take it for solid ground. You point at it and say, see, it is real, we all agree it is there. And your agreement is the hypnosis, not the proof. Here we ask you to take the harder step again, because it is the step that frees you. The painting is the suffering of your world, and it is just as much the goods. The praise you chase and the blame you flinch from, the ruin you dread and the fortune you pray for, the enemy at the gate and the ally at your side, all of these are furniture in the same dream. They feel like opposites to you, the good things and the bad, and they are made of the identical substance, which is overlay, and only the atmosphere underneath them is real. A seeker who learns to see through the world’s pain while still believing utterly in the world’s prizes has woken from half the dream and rolled over into the other half. You will ask why this is so hard, why you cannot simply decide to see it and be done. The reason is honest and worth knowing. You live inside a world built entirely to the five senses, and every instrument you were handed at birth reports the overlay to you as fact. Your eyes confirm it. Your ears confirm it. Your skin and your gut and your memory all confirm it, hour after hour, with total sincerity. So the work cannot be done by gathering more evidence, because the evidence is the hypnosis. Every fact your senses bring you is another brushstroke in the painting. This is why thinking harder never breaks it. You cannot reason your way out of a dream using instruments that are part of the dream. And this is the wall we spoke of at the beginning, the precise place where the path stalls for most. You can reach real discernment while still holding two powers. You can reach genuine ownership of your energy and your boundaries while still holding two powers. The belief in good against evil survives all of that. It walks right through your discernment and your self-ownership untouched, because those earlier crossings never required you to question it. This crossing does. This is the one the common mind is built to prevent, and so this is the one where the seekers gather, thousands of them, with strong boundaries and clean truth and well-run lives, stopped at the same wall, never told that the wall is a belief.
We name the mechanism now, in this present moment of your world, because it was kept unnamed so that it could keep working. A hypnosis that announces itself begins to fail. Test this against your own seeing, the way you would test anything we say. Look at your own life. Look at the things you brace against and the things you grasp for, and ask whether the bracing and the grasping have ever once set you free, or whether they have only kept you turning on the same wheel. The only true response to a vivid seeming is to know it for what it is. You withdraw the belief that gives the elephant its weight, and you turn, quietly, to wake, without attacking it and without fleeing it, because there was never anything there to attack or to flee. So we give you the practice, the actual turning of attention you can do a hundred times in a day, and we will make it plain enough to carry into your real life. Begin before you ever need it, by building a reservoir. Across your quiet hours, gather a small set of true statements about the one power and keep them close, the way you would keep water near you before a long walk in heat. These are short, and they are yours, plain sentences that hold the recognition that there is one current and no second power, that the seeming has no engine of its own, that you live in the atmosphere and wear the original pattern under everything. You are storing reminders of what is already so, so that when the senses are loud you have something to reach for that is louder, something truer than the painting and easier to find because you gathered it in advance. The practice runs whenever you meet an appearance of evil in your world, and here is the part that belongs to you and to no one else: it runs just as much whenever you meet an appearance of good. Both are the signal to begin. The frightening headline and the lucky break, the cruel person and the kind one, the loss and the windfall, each of them is a cue to do the same three movements, because each of them is the painting asking you to believe in two powers again.
The first practice is to decline the testimony. The moment an appearance presents itself and your senses rush to tell you that this is real and this is what is happening, you turn toward the appearance itself and quietly decline the report, looking straight at the seeming rather than inward at your feelings about it. This is the painting, you recognize, and the painting is not the atmosphere. You let the sense-report arrive, and you let its authority fall away. The second practice is to withdraw. You take back the force you were about to lend it. You hold one refusal with two faces, declining to push against the appearance and declining to prop it up, and the two are the same movement seen from different sides. This is the old law we gave you, that fighting a thing feeds it, now operating much earlier than before, at the level of perception itself, before the fight ever starts. You withdraw your belief, and belief is the only fuel the seeming ever had. And the third practice is to return. You rest your attention back into the atmosphere, into your original pattern, into the one current, and you let the density thin. This is the homecoming the whole practice was for. And where your life genuinely calls for action, where there is a real thing to do in the world, you let that action rise out of the rest you have just returned to, rather than out of the reaction you just declined. Action that comes from the atmosphere is clear and unhurried and lands well. Action that comes from the war is frightened and overdone and tends to make more of the very thing it was trying to end. Please understand that this will be needed often, and let the frequency reassure you rather than discourage you, because the repetition is the practice itself. You may run these three movements a hundred times between waking and sleeping. The painting is persistent and the senses are loud and the common mind refreshes the overlay constantly, and so you return, and return, and return. Each return thins the density a little more, and you can trust that the thinning is happening even on the days it is invisible to you, the way water wears stone without any single pass seeming to do a thing.
We will guard you here against a misreading that has trapped others, because it matters. Declining the appearance is an inner movement toward the seeming, and it asks nothing careless of your outer life. You still tend the vessel you live in. You still keep your agreements and pay what you owe and show up where you said you would. You still act where action is real and needed. The single thing that changes is the place your action comes from. You stop acting out of the war, and you begin acting out of the rest, and from the outside your life may look much the same while from the inside everything has quietly turned. And when you have done the three movements, you close them the way we have taught you to close all real work, by seating your own inner authority above the appearance, and above this voice as well, because the authority was always meant to be yours. There are a few things this work will ask of you that we would be doing you no kindness to leave out, and we give them to you now as those who have watched many walk this exact stretch of road. While the practice is young in you, keep it close and do not rush to broadcast it. There is a plain reason for this. A truth you can speak but cannot yet demonstrate will not survive its first contact with a world that can point at the painting and call it real. You will say there is one power, and someone will show you a genuine horror and ask you to explain it, and if the recognition has not yet seated in you, you will waver, and the wavering will cost you more than the silence would have. Hold the work until it holds you. Let your demonstration run ahead of your speaking. The day will come when you can say these things from a place that does not shake, and on that day the speaking will carry, because it will be backed by something real in you rather than by enthusiasm. You will meet teachers and friends who hear a hint of this and call it avoidance, who tell you that you are using the word overlay to dodge what is yours to face. We want you to hold a sharper line here than the easy one. The easy line is to decide that everyone who says this is simply wrong, and to wall yourself off from all of them. We ask you not to do that, because some of what gets called avoidance truly is avoidance, and the discipline is to be able to tell the difference inside yourself rather than to seal yourself against every voice that might correct you. There are people who say it is all a dream so that they never have to feel their grief or mend their harm or sit with what they have done. That is a real thing, and it happens. Your practice is the opposite of that, and you must keep knowing it is the opposite, which means staying honest enough to keep checking.
The difference lives entirely on the inside, and from the outside the two can look identical, which is why no one else can grade this for you. Avoidance uses the teaching to escape what it should meet. This practice meets the thing fully, lets it be exactly as present as it is, and then declines to grant it a power it never possessed. One turns away. The other turns toward and sees through. The words can be the same. The movement underneath is opposite, and only you stand close enough to know which one you are making, so make it honestly. We will say something about the loneliness, because it is real and you have felt it, and we will be straight with you about it. This road can be a quiet one, and at times an isolating one, especially in the stretches where the people around you are still fully inside the painting and you are beginning to see past it. Here is what we want you to understand about what is happening to you. The thing that thins as you near the atmosphere is the grasping in your connections, the part of you that needed other people to complete you, to fill you, to tell you that you were real. That hunger quiets. And you may mistake the quieting of the hunger for the loss of your capacity to love, when it is the very opposite. The need falls away and the love remains, cleaner than before, no longer asking the other person to be your medicine. Where this road leads is connection that has stopped being a transaction, and the levels that follow this one are entirely about being among others, serving and stewarding and standing with your fellows, so let no one tell you that this path walks away from the human family. It walks deeper in, only without the clutching. Do not try to think your way into the atmosphere. We have watched seekers spend years trying to build the perfect mental model of the one power, to will themselves into the original pattern by sheer force of understanding. That effort is more of the same painting, a fine and subtle brushstroke but a brushstroke still. The atmosphere is entered by recognition and rest, by the quiet turning we have given you. The mind is a fine instrument for many things and the wrong tool entirely for this one.
And so we come to the last thing, the one we most want to seat in you before we go. There is a phrase that has traveled through your world for a long time, that the truth will set you free, and we tell you it is unfinished, and the way it is unfinished is the whole of today’s work. The completion is more exact than the comfortable version, and more demanding, and more freeing. The one-power truth, simply known, changes nothing. You could agree with every word we have spoken today, close this transmission nodding, and remain fully inside the painting, because agreement is not the practice. It is the return, run again and again under the loud testimony of the senses, that thins the density and opens the door. The freedom lives in the repetitions, and not in the understanding. The real and lasting atmosphere of life opens to the practiced recognition and stays closed to the grasped idea, however fine the idea is. So gather this teaching lightly and practice it heavily. A hundred times a day if that is what the day asks of you, and on the days that ask for a hundred, you have lived a day fully awake to the work. We return you now to your own field and your own seeing, where all of this belongs. Take nothing we have said on our word alone. Test it in the only place it can be tested, which is your own awareness, across your own days, in the small repeated turnings that no one else will ever see. You will know it is true by what happens, and not by what we have told you. That is how it should be. That is sovereignty. And that is why we have deemed it valuable to bring the Sovereignty Consent Protocol into your awareness at this time – you are ready little phoenixes, you are READY! I am Valir, of the Pleiadian Emissaries, and we will be near. Until we speak again.
